★夜,闻起来很香★

秋天的夜晚,躲在墙角盛开的白色小花……让夜,闻起来很香

2007年12月26日星期三

虚拟的爱 Fiction @ Love

The Neo-Aesthetics of Animamix

The Evening Traveling

Akino Kondoh

Born in Chiba prefecture, Japan in 1980.
In 2000, won the Rookie Award and Encouragement Award at the 2nd Ack Awards with manga "Kobayashi Kayoko".
In 2002, won the SOUMA YOSEI Award at GEISIA-1GP with three dimensional work, "Hakoniwa-mushi".
The 107th Digital Stadium, Meiwa Denki Best Selection Award.
The 3rd Yuri Norshtein Grand Prize/ Audience Award.
Currently 4th year at Tama Art University, releases manga irregularly in Comic H (rockin'on).

[ Comment ]
Thank you for a very wonderful prize.
I usually work with the themes of memory and remembrances, producing flat surface, three dimensional, and manga work at the same time.
This work is a "moving manga", the idea which was triggered by the song "Densha kamo shirenai" (it might be a train).
There are still some underripe points in this work, but the attractiveness of the song has supported me throughout the production helped me win this award.
To Mr. Toshiaki Chiku, who has very agreeably approved the use of the song, and to all those who cooperated in this work, I thank you very much.

[ Reason for Award ]
Albeit a production for a university project, I was astonished by the quality of the finished form of this work.
The work did not use groundbreaking technology, but used ingenuity in doing what it could with the tools at hand, and the ways to enjoy the animation were impressive.
Japanese animation, which has created the term "Japanimation", combines together such specialties.
In addition, the synchronization of the personality of the "drawer" who draws manga daily and the interesting aspects of the music is excellent.

这段动画是我在这个展览中最喜欢的东东。《虚拟的爱 Fiction @ Love》分别在外滩18号和在人民公园中的上海当代艺术馆展出。

我先去的外滩18号华丽而优雅,售票小姐年纪很小,也很健谈,韩敏已经看过了人民公园的分展,介绍说一般,所以我本来打算就买30元18号的票,售票小姐却介绍说其实是那边的比较好,将信将疑下付了40元的联票钱,心想来也来了,反正就多了10块钱^.^

进门左转是个小厅,我想应该是比较重要的位置,那里放着几米的原画,虽然几米很有名,我却不感兴趣。倒是这个小厅有一扇高大的窗户,从这里看浦东的金茂和东方明珠感觉就贴近在脸边,外滩上的人多得要命,窗玻璃却把所有的嘈杂隔绝在了外面。不过还是拍了2张照片,意思一下。

出厅往前走,是几个装置作品:鞋,椅子还有自行车,用铁丝绕出来的,我猜是不是用蜡之类的先做好模型,用铁丝绕好之后把蜡溶掉,再喷漆制成的,总之做的很象,但是有说种不出的感觉。接下来是一些雕塑,我不太喜欢。

右转开始是平面作品的展示,挑了些喜欢的放上来,其中还包括一些视频,但是不多,而且很多还在艺术馆里又见到了,对我来说用来播放视频的各式各样的液晶显示器吸引力还更大些。

进来的时候是乘电梯,出去的时候走了楼梯,顺便在18号里面逛了下,觉得最好的就是他们家的窗户:窗框,锁,把手,还有气窗的开合装置都是铜做的,把手有点藤蔓的样式,但是及其简单,手感又好。只是在窗框和玻璃的结合处用了木头来密封,不知道是不是后加的,因为钉子都露在了外面(以前应该都是用一种类似什么软泥之类的,干了之后就会变硬的那种)虽然做的也很精致,但是颜色,样式总有点别扭。底层侧门的门厅地面上有以前留下来的用马赛克做的拼花(都是马赛克的碎片做的)我不喜欢用四四方方的马赛克拼出来的动西,很生硬。

17点前赶到了艺术馆,都快闭馆了,匆匆看了些东西。

其实还有很多互动的装置作品不能也来不及拍出来,比如由各式各样n年前的旧玩具堆砌成的墙,总能带起在这些动西陪伴下长大的我们的记忆,一些动画短片有点探索性的味道。只能简单地说,艺术馆的动西的确比18号多,也好。还有一些志愿者主动为我讲解作品的来历。

总体来说觉得40元的票价勉勉强强,而且有很多商业炒作的成分在内,但想起全国其它的漫展,明明觉得不值也得安慰自己说“还好还好”,虽然国内的作品都显幼稚,也只能象阿Q自我满足一下了。

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